Week 10 – Week 11 | 29/11/23 – 08/12/23
Emily Soh Ching-Ling | 0359478
Bachelor of Design (Honours) in Creative Media
Illustration & Visual Narrative | Section 01 | COM61304
Task 3 — Digital Triptych
TABLE OF CONTENTS
1.0 LECTURES
1.1 WEEK 10 — TASK 3 BRIEFING & TRANSITIONS
TRANSITIONS:
- 1 frame = Not a lot of information.
- 2 frames = The audience can infer what is going on.
- The audience assumes continuity is maintained through the panels.
- Pattern recognition.
Figure 1.1-1: 2-Frame Panels, Week 10 (29/11/23) |
CLOSURE:
- Law of Closure: Objects grouped together are seen as a whole.
- The audience fills in missing information with familiar shapes and images.
Figure 1.1-2: Law of Closure, Week 10 (29/11/23) |
SCOTT MCCLOUD'S TRANSITIONS:
POINT OF VIEW:
- Who's POV?
- Emphasise one thread of the story.
- Tell the most noticeable points of the narrative as they've been told.
TASK 3 BRIEFING:
- Illustrate two static pictures before and after the climax (AKA Task 2 illustration).
- Total three panels.
- Justify what form of transition you used and why you chose that specific scene.
- Submit in Google Slides.
2.0 INSTRUCTIONS
3.0 TASK 3 — DIGITAL TRIPTYCH
Instructions: Apply Scott McCloud's theory on transitions and create a digital triptych, comprising three panels: one before, one during (climactic turning point, AKA Task 2 — Decisive Moment), and one after a significant event.
3.1 RESEARCH, IDEATION & SKETCHES
3.1.1 RESEARCH & IDEATION
Definition of Triptych (According to Merriam-Webster):
- A picture (such as an altarpiece) or carving in three panels side by side.
- Something composed or presented in three parts or sections.
Figure 3.1.1-1: Example of Triptych — Mérode Altarpiece (Robert Campin, 1427–1432), Week 10 (02/12/23) |
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Figure 3.1.1-2: Climactic Turning Point, Week 10 (02/12/23) |
#1 Moment-to-Moment:
- Panel #1: The old woman scraping clouds, very dark outside.
- Panel #2: The old woman scraping clouds.
- Panel #3: Clouds have become lighter.
#2 Action-to-Action:
- Panel #1: The old woman climbing uphill (full-body shot).
- Panel #2: The old woman scraping clouds on the hill.
- Panel #3: The old woman falling down from surprise.
#3 Subject-to-Subject:
- Panel #1: The two boys peeking out of the door.
- Panel #2: The old woman scraping clouds.
- Panel #3: The old woman's look of surprise (close-up).
#4 Scene-to-Scene:
- Panel #1: The two boys running towards the ice house in the storm.
- Panel #2: The old woman scraping clouds.
- Panel #3: The old woman noticing the boys peeking at her.
#5 Aspect-to-Aspect:
- Panel #1: The old woman's scraper in hand (close-up).
- Panel #2: The old woman scraping clouds.
- Panel #3: The old woman slipping backwards (close-up of feet and clouds).
Out of the bunch, I'm more keen on #5 Aspect-to-Aspect because of the simplicity and straightforwardness of the panels. I also think it'll look nicer in an A5 portrait canvas than the others, so I'll be sketching that.
3.1.2 SKETCHES
3.2 DIGITISATION
Figure 3.2-1: All Elements (Without Texture), Week 11 (08/12/23) |
Figure 3.2-2: All Elements (With Texture), Week 11 (08/12/23) |
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Figure 3.2-3: Panel #1, Week 11 (08/12/23) |
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Figure 3.2-4: Panel #3, Week 11 (08/12/23) |
4.0 FEEDBACK
4.1 WEEK 10
Specific Feedback: The panels and composition work.
5.0 REFLECTION
5.1 EXPERIENCE
I think I nearly had a heart attack when I saw the time allocated for this project. Probably grown a few white hairs over the last two weeks lol. I liked the project itself, but the time rush dampened the experience a bit.
5.2 OBSERVATIONS
I think I handled the textures and gradients better this time around. Making Panel #1 and #3 more minimalistic (i.e. less cluttered) definitely helped make the textures, gradients, and individual elements stand out more.
5.3 FINDINGS
While I do alright under time crunches, my documentation work isn't as detailed as I like. Having more time would help.
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